The opening sequence to "Catch me if you can" is a very unique one. The credits run throughtout the beginning but the filming is completely different, as reality isn't used and instead graphics show us the first part of the unravelling Thriller.
The typical thriller conventions such as the core of the narrative being a crime; which in this case is fraud. Also, during the opening sequence we are taken down a few possible routes to do with the fraud, and establishes enigmas which the audience expect to be resolved.
The sound used through the opening sequence is one track of music that sets the tone and atmosphere. The soundtrack is in a Minor key which automatically leaves the audience feeling that something isn't right, towards the end of the opening sequence, the music becomes darker, louder and more intense, getting the viewer on the edge of their seats ready for the next scene. The trills played within the music mimic the charaters state of mind, as he is thinking irationally, and the music portays this.
Another thriller opening sequence to the film "Dexter" is completely different the previous. The opening is composed of a range of close-up shots, which give us an insight into the mind of the main character, and establishing him. It seems perfectly normal, as it shows him doing day to day activities, and nothing out of the ordinary. This fits with the thriller convention; extraordinary things are going to happen in such ordinary circumstances.
The only shots which may give the audience an indication that all isn't as it seems are the shots where the main character squashes a spider on his own skin, showing he isn't phased by blood, and doesn't mind killing something that is more insignificant than himself. Also the shot where he shaves and his face bleeds, and we see droplets in the sink shows he isn't afraid to put himself in a little danger, which could be foreshadowing events.
The soundtrack to this opening is misleading because it doesnt sound mysterious or threaterning, which will leave the audience feeling unsettled because of the lack of explanation. The music is non-diegetic, but there are sounds such as frying and shaving that are diegetic.
The first opening sequence is more direct in its approach with its genre, whereas the second opening "dexter" is trying to conseal it, and only giving hints. Both have a soundtrack in which the credits run through and both establish a main character. The main differences are that one is reality filming, and the only is computer generated graphics. These both give different effects and appeal to different audiences, but in the end they both get the same point across, and are good opening to set the scene for the rest of the triller film.
Shona Addison
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